What artist hasn't done this age old exercise. But generally the artist places his or her brushes in pottery jars, because
they're so much easier to paint than see-through glass ones. I avoided painting glass too, until my mentor at the time - Helen Van Wyk -
kept telling me to paint glass, paint glass, paint glass, "until it becomes old hat and until one is at ease doing so". One being me.
So I went on a spree. The more glassy, the more I wanted to paint it. And Helen was correct: I now have absolutely no fear of painting glass any more...but then it is now 14 years later! Check the painting 15th from the top - the one with the white daisies and grapes. Notice not only a glass bottle, but a cobalt blue one as well? That was a "Helen exercise." One of her strongest rules was "never paint anything in a background which is blue. Blue - because it is only found in nature in the sky and its reflections, tends to 'come forward' in a painting, flattening the overall effect. So being the type person I am, I just had to paint something blue, in the background, and see if I could get away with it.

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